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axl99- 01-24-2008
The ending [spoilers]
I tried watching the "real" ending trailers over at GT, I laughed. If there was one thing that puzzled me the most it was towards the end where little Jeane was staring at the painting of Travis and Henry . It made me wonder why she was staring at it. Who knows when that scene actually took place, probably a month or maybe a few years later? The first random thought that popped into mind was wondering which of the two "fathers" Jeane was staring at. Who knows, Travis' dad coulda done Sylvia too considering how much of an asshole he was to Jeane. If we were to go on Sylvia and Jeane being sisters, that's probably stretching it a little but let's try running with that for a bit. And from there, my train of thought centered on Sylvia. Why she went through all the trouble of setting up the UAA. Money's an obvious motivation, she was living in a rather dreary world full of psycho killers and needed to get her kicks somewhere. But what else is there besides that? Looking for a way out to Paradise? Maybe. And to do that, not only will she need a boatload of cash to support herself, but she might need to get rid of all the people she's connected with by turning them against each other all the while giving them what they want. After that, she and little Jeane could live as they please away from the world. Hotel FSR a possibility? OK. I know we're not really supposed to take the narrative too seriously, but it is kinda fun to speculate on the more vague details. Another random thought: Anyone notice that the wristband on Travis' left hand matches the flag on the painting, which is also the same one flying outside of the NMH motel?

KIRBY 7- 01-25-2008
Re: The ending [spoilers]
Who knows, Travis' dad coulda done Sylvia too considering how much of an asshole he was to Jeane. If we were to go on Sylvia and Jeane being sisters, that's probably stretching it a little but let's try running with that for a bit. I thought Dark Star was just some random ass Darth Vader/Xenogears Grahf retard who thinks he's Travis's father. Travis's father died awhile before the game started. Jeane "Think Travis, Why the fuck would he be your father?" Travis "Oh yeah that's right. I'm starting to remember." (Not the exact paraphrasing, but close enough I guess.) And from there, my train of thought centered on Sylvia. Why she went through all the trouble of setting up the UAA. Money's an obvious motivation, she was living in a rather dreary world full of psycho killers and needed to get her kicks somewhere. But what else is there besides that? Looking for a way out to Paradise? Maybe. And to do that, not only will she need a boatload of cash to support herself, but she might need to get rid of all the people she's connected with by turning them against each other all the while giving them what they want. After that, she and little Jeane could live as they please away from the world. Hotel FSR a possibility? Sounds plausible to me. It shows that she has motive. FSR is practically the best place to go to if you "want to forget about time". (That's an actual tag line from FSR.) LOSPASS island is the finest resort on earth where you can forget about time. OK. I know we're not really supposed to take the narrative too seriously, but it is kinda fun to speculate on the more vague details. I think that only applies to the plot twists, because they're ridcoulous. (How many fucking people can Travis be related to?) I think it's an obvious joke from Star Wars, considering that Luke was related to Darth & Leia. The ending dialogue is an obvious joke, because Henry & Travis couldn't decide who will be the one to reveal the huge plot twist for the gaming audience. Neither of them could come to an agreement about who will divulge the mandatory "plot twist" so they decided to bail out of the game & return to paradise. Other than that I think it's ok to speculate. I myself have no f'ng clue what the hell that painting in the NMH credits is supposed to mean. My only guess is that Sylvia & Jeane are in Lospass resort. (The constant references to paradise. FSR did the same thing by referring to Silver Case as reality.) Although I heard Lospass/FSR was supposed to have been destroyed after the ending of FSR. Does anybody know when NMH takes place? That's just a guess though. There's really nothing conclusive about the FSR connection besides the constant mentions of paradise & dream. (Lospass= Lost Pass *Paradise resort of the lost past.*) The No More Heroes ads that reference FSR As Grave pointed out. The FSR plane in the background. Comparison between the FSR logo & Sylvia's bikini. That & FSR is advertised at the official Japanese NMH site. (I doubt they'd do that unless the games really are connected. In theme at least. The theme being Kill the Past.)

axl99- 01-26-2008

Some shots of the star mark on Travis' wrist band and the flag: and http://media.www.gamestats.com/media/827/827358/img_5118384.html http://media.www.gamestats.com/media/827/827358/img_5067902.html - maybe that's what the star mark's supposed to look like up close, it should be the same one that cycles through when the game is loading.

True Grave- 01-28-2008

With all the talk of paradise, Travis himself goes into a discussion about it when you are fighting Death Metal. Its hard to understand since you fighting him while you are talking, but I caught bits of him talking about trying to find the exit, which Travis reverts back to talking about when he is running down the street with Henry. And true to the US version, Emir/Garcian has a much bloodier death when he tries to kill Travis.

Kroni- 01-28-2008

I noticed that too, I wonder if Suda wants FSR to relate to NMH in the future? Travis should've jacked Death Metal's place; it's paradise minus the weird shit like in Lospass.

axl99- 01-29-2008

You kinda wonder if there's actually more than one facility like the one at Lospass.

mokoi- 01-29-2008

http://www.gamesradar.com/us/wii/game/news/article.jsp?sectionId=1006&articleId=20080129174246500034&releaseId=2006121210125293056 Some dude recorded that part where travis and jeane talk and is fast forwarded and slowed it down to an understandable speed and wow..that was different plus it makes some sense.... Also I think suda fast forwarded it because it probably would have got some "OMG look it's talking about evil shit!" reaction. Plus NMH probably takes place after killer7 due to when you talk more and more to the lovikov ball man he refers to the balls as souls of assassins and the techinques named after the killer7 (memory of the child is con, memory of the woman is kaede...etc.) if it helps place it to the FSR references..

Mecha Sonic- 01-30-2008

Also I think suda fast forwarded it because it probably would have got some "OMG look it's talking about evil shit!" reaction. . Maybe, but mostly he did it as a joke. Like, normally a gamer would be "Oh, a plot twist. :roll: I've heard it all before..." and skips the cutscene.

KIRBY 7- 01-30-2008

Maybe, but mostly he did it as a joke. Like, normally a gamer would be "Oh, a plot twist. Rolling Eyes I've heard it all before..." and skips the cutscene. That's the way I saw it. The plot twist wasn't even that great. Even the Oneechanbara games http://www.d3p.co.jp/one/portal.html have a similar plot. That's how overused the "father used & abused me" cliche is. It was a joke in Oneechanbara, so obviously it's also a joke in NMH. When I think of evil shit, I think of the shit going on in Killer 7 & Silver Case where they actually have government policies that give some members of the government free rein & immunity to mutilate young women & children. (SC= Shelter Children program, K7= Curtis Blackburn) The policies go under the radar, because they're worded as "policies." Not "slaughter". Which again leads us back to Orewllian style doublespeak. Using words that mask the intended deed, due to the way the words sounds. Travis should've jacked Death Metal's place; it's paradise minus the weird shit like in Lospass. Death Metal's place was just a resort. Or as he called it "A place to die." When Travis talks about paradise. He's usually referring to those make believe places in fairy tales where everybody is happy & can forget about all their worries in life. (I'm almost tempted to say heaven, but I'll hold back on that.) Paradise is even referred to in Killer 7 by Benjamin Keane when you speak to him in his spirit form. I forget the exact wording, but you can definitely tell that Keane was referring to some heavenly like setting. I'm pretty sure that NMH will be connected. http://www.gpara.com/special/soft/fsr/suda_answer27.htm Use http://sukimania.ddo.jp/trans/trans_e.php to get an idea of what he's saying. Suda 51 already confirmed 5 yrs. ago that Moonlight Syndrome, Silver Case, & FSR are all interconnected with each other, and that they do indeed take place in the same exact world. It's believable too, because the settings for the games don't contradict each other. The only game that Suda 51 has flat out denied any relation to in his own little ghm universe setting is the story mode in Fire Pro Wrestling Special. Too bad this question was asked before Killer 7 was made. I'd really like to hear what the official stance is for K7. Personally I think only the characters from Killer 7 are interrelated like Emir Parkreiner. The K7 setting just doesn't blend in with the rest of the games at all. The only characters from K7 who couldn't possibly exist outside of K7 are the Japanese politicians, because they clash with what's known about the Japan that's used in SC. Plus NMH probably takes place after killer7 due to when you talk more and more to the lovikov ball man he refers to the balls as souls of assassins and the techinques named after the killer7 (memory of the child is con, memory of the woman is kaede...etc.) if it helps place it to the FSR references.. The Killer 7 died long before Killer 7 even began. There's many reasons why K7's setting can't coexist with the original Twilight/Moonlight Syndrome & Silver Case setting. 1. The ban on all Trans communications & transportation is one. (NMH has trans communications.) 2. Fukushima is said to be the man who wields the most political pull in Japan. In the original setting the most politically powerful in Japan were Sundance Shot, Kai Zaburo, Kaoru Hachisuka, and some entity knwon as the Mulholland (Marionette) Mother. Killer 7 acts as if the aforementioned 4 don't exist. (Although in a way they don't. Hachisuka is dead. Sundance & Zaburo are at Flower, Sun & Rain, & Mulholland Mother has yet to make an official in game appearance. Unless she finally showed herself in SC 25 Ward.) 3. During the conclusion of Killer 7. Japan either gets nuked, or the Japanese form a united alliance & invade the U.S. I'm pretty sure that this didn't happen in NMH's world. As for the original setting. SC 25 Ward is still set in Japan, and it's been reported by Sumio that Tetsuguro is conducting a case in the United States. Which would indicate that the Japanese are not at war with the United States either. SC 25 Ward takes place in 2005/2006 I think. So Killer 7's war wouldn't have happened yet, but even so. This leads back to point 1. People in SC still communicate through the internet. The only reason why I do believe that NMH takes place after K7 is that Emir is in the game, and he dies in it. Although imo, that doesn't mean that he's dead for good. We might get some answers during FSR if GHM adds in more story related content. (Sumio gets killed in FSR, but yet he's still among the living.) What Sundance, Sumio & Emir all have in common is that they are all orphans taken in by the government. You kinda wonder if there's actually more than one facility like the one at Lospass. That might be a possibility. It depends on how widespread that Lospass hyena is. (They had eyes that were used to make Silver Eyes. Those eyes are used for metempsychosis between hosts.) Lospass is a man made island anyway. The island was made to conceal a Kamui mass production plant. The airplanes are used to protect the island & the mass production plant by loading the bombs on an airplane & blowing them up away from Lospass resort. What I still don't understand is why the fuck is the time in Lospass all messed up? I tried looking for answers at this website. http://www005.upp.so-net.ne.jp/silvercase/FSRmember.htm I even guessed the password right. (After thinking for several hours what the bloody hell the password would be. I eventually came up with the phrase that eventually sets Sumio's objectives straight.) The password was "Okaerinasai" Which was the code phrase that Tokio Morishima used when SUmio Mondo finally locates Tokio at Lospass resort. Okaeri Nasai means "Welcome Home". What sucks is that even though I got the password right. (After 3 months of trying.) What I was eventually led to, was nothing more than a broken page with nothing on it. http://www005.upp.so-net.ne.jp/silvercase/okaerinasai.htm I'm guessing that not even he knew how to explain FSR properly. (I can't either.) So he probably just said fuck it. I check up on this guys website all the time. He never updates, but he has some pretty useful info contained at the Silver Case page http://www005.upp.so-net.ne.jp/silvercase/SilverSideA.htm The spoiler section http://www005.upp.so-net.ne.jp/silvercase/chocolate.htm (The password is Chocolate. I don't know why it is either. I found this password protected site while looking up Yayoi & Sundance through a search engine. So I never bothered trying to figure out the password.)

Brock2097- 02-09-2008

>People in SC still communicate through the internet. Notice that in killer7, Love (from that illegal game company Electro & Line Inc. in ALTER EGO) plays a popular "online game" based on the Handsome Men. So, internet-based communication still occurs but I guess only on "pirate networks," hidden from the scrutiny of the government. Then, maybe it's possible that Silver Case/FSR/MS occur in the killer7 universe? (I don't know for sure, haven't played those games so I don't know how the internet is used in those cases).

Kitano Smith- 02-09-2008

FSR is the only game that couldn't happen in K7's universe, due to the existence of commercial airlines in 2001 (of course, in the real world this would be a giant can of worms, so K7's world is like a caricature of real world security paranoia. The Pentagon is pentagram and so on...). The cell phones pass, I guess, since Garcian uses one. Internet and cell phones' use is simply restricted to high ranked government officials, federal investigation organizations and of course, black ops organizations and individuals like the killer7. The network still exists, but Love Wilcox is a hacker. She probably hacks into some government server. Sundance Shot could exist in K7, since the FSO party was dissolved and he disappeared. As well as Toriko Kusabi and even Tetsugoro Kusabi. These two could exist in K7 I think (in my fan comic, Toriko appears right at the beginning to deliver a special package to Harman Smith snatched from Ward 24 Investigative Unit's evidence room - a special recipient body - in 2000) Hell, even Sumio could appear in some form.

Kitano Smith- 02-09-2008

I was thinking of making that recipient Sumio's body, but it appears that would contradict the official timeline for Sumio, since he appears alive in Ward 25. Unless the body isn't dead, but that would create a huge narrative fuckup. But forget it - I'm getting off track here. I'll write these kinds of things in the other thread.

KIRBY 7- 02-18-2008

FSR is the only game that couldn't happen in K7's universe, due to the existence of commercial airlines in 2001 (of course, in the real world this would be a giant can of worms, so K7's world is like a caricature of real world security paranoia. The Pentagon is pentagram and so on...). I disagree. If anything FSR is the only game that has any likelihood of being directly related to Killer 7. FSR exists outside of the established timeline, because FSR is trapped inside a time paradox. The game occurs two yrs after Moonlight SYndrome & Silver Case, but the actual events of the game are unaccounted for, because time functions differently at lospass resort. Which means that FSR doesn't need to adhere to any strict timelines in order to function. Case in point, Sumio gets killed in FSR, but he comes back to life two days later, because Toriko "pulled the trigger of tomorrow" Instead of Sumio getting his brains blown apart by Sundance. What happens is that during the second time around. Sundance invites Toriko to pull the trigger. This leads us to a scene where Sumio holds a revolver his head & shoots himself in the face. Sumio ends up falling back (to life) into his bed instead of falling off of the roof top of Hotel FSR. I used to have a youtube video of that exact level when that scene happens. I'll try to post it up again once I find it. Are you familiar with the game "Planescape Torment"? Planescape is a D&D setting that also exists outside of the established timelines of the Dungeons & Dragons campaigns. Planescape more or less exists as a hub that connects every single D&D setting together as one entity. That's the basic idea of what FSR's setting is like. Which is why we see plenty of SC, FSR & MS characters in FSR. (One from MS, but Yayoi is the only person from that game who's still alive, lol.) That's why Suda was able to include Ed Macalsister in K7 without even having to explain how it could be possible. Ed probably slipped through a time slip or some shit, lol. It is in fact the same Ed, because he's listed as 36 in Hik7. I don't know how old he is in FSR, but I wouldn't be surprised if he were younger. so K7's world is like a caricature of real world security paranoia. I agree. The cell phones pass, I guess, since Garcian uses one. Internet and cell phones' use is simply restricted to high ranked government officials, federal investigation organizations and of course, black ops organizations and individuals like the killer7. The network still exists, but Love Wilcox is a hacker. She probably hacks into some government server. it's possible that Silver Case/FSR/MS occur in the killer7 universe? (I don't know for sure, haven't played those games so I don't know how the internet is used in those cases). People in Silver Case use the internet normally. Kinda like how we're using it right now. There's no need for underground networks in the original SC timeline. Internet is so widespread that there are even websites that spread around the myth & doctrine of Uehara Kamui. (Kamuidrome) Much similar to how the "Kira" religion is spread through the net in the Death Note anime/manga series. I was always under the impression that K7 was controlled under some kind of "big brother" government. Silver Case is at the beginning stages of a controlled "big brother" like society, but it's not quite there yet. Tokio Morishima is an ex reporter who uses the internet constantly. Course there is the fact that he's actually a Hachisuka. Which means that he does have family ties to at least one prefecture of the Japanese government, but I highly doubt it, because he goes by the Morishima name. Implying that he doesn't want anything to do with his family. (Which is further illustrated by the fact that he's the only remaining Hachisuka who ain't bit the bucket yet.) Sundance Shot could exist in K7, since the FSO party was dissolved and he disappeared. He disappeared to FSR. Which is said to be his country of origin. I don't know what to make of that, because Lospass is a man made island. There is a lifeless body double that you see in FSR that is said to be Sundance Shot, but whatever. I won't think too much about that. His body double is a generic looking japanese politician guy in a black suit. I'll try to get a picture of him sometime. When I think about it. Sundance's body double could kinda pass off as Matsuken. (Sundance normally looks like a guy who stepped straight out of the Victorian era.) Sundance was arrested during the FSR's finale. Sure Sundance could exist, because he was in the trailer of the original Killer 7 builds. However that would imply that Matsuken & Fukushima don't exist, because imo. If Sundance is still around why are Fukushima & Matsuken considered the hope of Japan? Sundance seems to have more connections than those two. The entire timeline of Suda's games basically starts off with Sundance trying to prevent a policy that was being passed during a TRO/CCO meeting. That incident is of course, the Silver Case. That's the time when Sundance sent his premier assassin, Fujiwara Kamui to handle the job, but Fujiwara was killed by Tetsuguro Kusabi. The TRO & CCO politicians during the meeting killed each other trying to salvage Kamui's silver eye. (I'm still not sure what the hell the Silver eye is. Since FSR reveals that even Sumio, Tokio & Tetsuguro have one as well.) Plus the Union 7 simply don't exist in the SC timeline. The Liberal party could exist, but they'd just be a minour party compared to the TRO/CCO alliance. Who in my opinion are the big dogs. Combine that with the Mulholland Mother, and you're basically left with union 7 nobodies who couldn't hope to gain as much political pressence as the combined three above. Fukushima's crew could've been a Killer 7ized version of Sundance Shot's FSO party, but the big difference here is that the FSO still exist. (As double agents who pose as TRO & CCO party members.) Whereas the Union 7 were all murdered by the Killer 7, Emir Parkreiner. As well as Toriko Kusabi and even Tetsugoro Kusabi. These two could exist in K7 I think In SC 25 Ward. (The la-*test*-('") game in the timeline.) http://25ward.tyabo.com/t_01.html It's said that Tetsuguro Kusabi is actually working on a case in the United States, but Sumio never mentions anything about the United States that would sound Killer 7 related. I prefer to think of K7's timeline as that bastardized Capcom offspring that was only used for K7. The characters from K7 don't necessarily need to conform to the setting that they originated from. Moonlight Syndrome uses several characters from Twilight Syndrome, but MS completely ignores majour inconsistencies with the settings between Twilight & Moonlight. Moonlight takes place in an entirely different prefecture at a n apartment complex that was built on top of a shrine. Moonlight pretends that Mika & crew are all ordinary girls who live an ordinary life. Which is untrue if you know them from their ghost hunting exploits of the Twilight Syndrome games. Twilight Syndrome exists as it's own timeline. (There's about 5 or 6 games in the series.) Moonlight Syndrome exists as part of Silver Case's timeline. Killer 7's setting is a stand alone timeline, but the characters themselves could relate with the main Silver Case timeline. The characters don't contradict Silver Case. It's Killer 7's crazy ass over the top "1984" like scenario that contradicts Silver Case. Although admittedly, Silver Case is working it's way to form a 1984 like setting. So Killer 7 could be seen as an example of events that happen in the near future. I doubt it though, because SC 25 Ward takes place sometime around 2005 or 2006, and their setting is still very much like our own reality. Killer 7 was world united during 1999 I think. I was thinking of making that recipient Sumio's body, but it appears that would contradict the official timeline for Sumio, since he appears alive in Ward 25. Unless the body isn't dead, but that would create a huge narrative fuckup. It doesn't really matter. Wait until you see FSR's ending with the 20 something Sumio Mondo's, lol. That's not even the crazy part. The crazy part is when that fatass Peter Bochwinkur tears his face off (WTF!) & is revealed to be Tetsuguro Kusabi. SHit, that's still not the craziest part about FSR's ending, but I'll save the last tidbit for your own gameplay experience. I think you should free yourself to write the plot the way you want it to. As long as the political logic isn't goddizzamn ass stoopid like the official Killer 7 comic. Feel free to post up more about your plot at this thread, because your story is interesting as hell. It so goddamn pulp/noirish. That's what I should've went for. At least your plot stays some what realistic. The shit I was coming up with in K7 SINdrome was going straight up crazy with the paranormal theme. I basically use the same set up as K7, but instead of a war between East & West. It's a cosmic political battle where the law deity, Harman Smith teams up with the Chaos deity, Whore of the Citadel. (Her name is based off of the phrase "That pretty Whore, reason.") In order to try to hold off the one world government. Basically all the political parties in my story were being controlled & indirectly manipulated by god like entities. In my game Toriko Kusabi is portrayed as a manifestation of time who tried to hold back time in order to stall mother nature from trying to get even with mankind. Basically I go crazy as hell with that cipher shit. (Practically everybody represents zero like Linda Vermilion.) She explains to Garcian about how it's all her fault that everybody on Earth is suffering. Toriko's love for humanity wasn't strong enough to overcome mankind's greed & ambition. She is disheartened at the fact that no matter how hard she tried to hold together mankind's thin chance of survival through love. That no matter what. The collective consciousness of mankind's greed overcame her, & that she could no longer contain Mother nature. Toriko went on to explain to Garcian that Mother nature was so angered at mankind for destroying & polluting the planet Earth. A planet that Mother nature herself has gave to mankind as a gift of independence. That Mother nature intentionally left the holes that separate perceptional realities open. Mother nature didn't care who would get sucked into the hole as long as it brought stability back to planet Earth. Eventually a large island land mass called Ifala fell into the hole & materialized on planet Earth. The realities of both Ifala & Earth intertwined creating a time paradox that allowed the two realities of both Earth & Ifala to exist in the same planet & time. The Whore of the Citadel's power was so immense that even the USOA super government had to propose a truce with her. Which than led to stability & harmony for Planet Earth. Sadly that harmony only lasted for 4 yrs, and it ended when Gregorious Ferdinhan was assassinated. One variable that Mother Nature didn't count on was the sovereign of Ifala, the Whore of the Citadel. Mother Nature is worried that the Whore of the Citadel may house ambitions to come back home to her original reality. Which doesn't sound like such a bad idea, however in order for the Whore of the Citadel to return home she must first eliminate all human life outside of Ifala. Before the Whore could begin such an endeavor, she must first grant a citizen of Ifala the title of ABSOLUTE. Mother Nature only wanted to stabilize mankind, not destroy it. Toriko Kusabi looks onward at the events that have just transpired since she had her talk with Garcian Smith & says "I guess I was wrong,after all. Love never solves anything. Love is an excuse for an easy way out. Love is nothing more than an escape from reality. Love is just a drug..." Target: Love Drug ?THE END? Whore of Thought: I can feel the misled presence of 7 entities without rest. The subject in question belongs neither to the East or the West. He was unable to grow wings, yet somehow he still managed to escape from his nest. One might say that he possesses true individuality, but to my eyes these 7 entities are nothing more than a mess. Bound by laws created by man, Harbouring great ambition so intense... An ambition breeded by false independence. In time I hope that you will understand... Nevertheless I shall watch intently as the theory comes to a close. For the misled entity of 7 may benefit the ABSOLUTE Whether this be fact or fiction. No one knows. The only true Absolute is that CHAOS REIGNS IN THE NAME OF THE HARLOT. The writing is good. The problem that I have with the shit that I came up with is that it doesn't sound wacky enough to be Killer 7. They all sound like mothafucking prophecies or some shit. Granted it's only the deities who speak like that. Everybody else speaks the way that they would normally speak irl.

Harman Smith- 05-03-2008

found a video link of Jeane's fast-forwarded story slowed down making it "understandable" Jeane's slowed down story

RedNinja- 06-02-2008
Re: The ending [spoilers]
I tried watching the "real" ending trailers over at GT, I laughed. If there was one thing that puzzled me the most it was towards the end where little Jeane was staring at the painting of Travis and Henry . It made me wonder why she was staring at it. Who knows when that scene actually took place, probably a month or maybe a few years later? The first random thought that popped into mind was wondering which of the two "fathers" Jeane was staring at. That's still a matter of debate. The most common conclusion is that she made the entire game up in her head while staring at the painting. Personally, since SUDA has stated he'd like to make a trilogy, I think that Jeane is meant to be the daughter of either Travis or Sir Henry Motherfucker, leaving us to wonder which. Who knows, Travis' dad coulda done Sylvia too considering how much of an asshole he was to Jeane. If we were to go on Sylvia and Jeane being sisters, that's probably stretching it a little but let's try running with that for a bit. Travis' father was dead. Jeane admits it, Travis remembers it. It could be that Jeane was just trying to plant the idea in his head...but don't forget that this game is acting as a commentary on media cliches. Dark Star is probably just a "Luke, I am your father" joke. And from there, my train of thought centered on Sylvia. Why she went through all the trouble of setting up the UAA. Money's an obvious motivation, she was living in a rather dreary world full of psycho killers and needed to get her kicks somewhere. But what else is there besides that? Looking for a way out to Paradise? Maybe. And to do that, not only will she need a boatload of cash to support herself, but she might need to get rid of all the people she's connected with by turning them against each other all the while giving them what they want. After that, she and little Jeane could live as they please away from the world. Hotel FSR a possibility? OK. I know we're not really supposed to take the narrative too seriously, but it is kinda fun to speculate on the more vague details. Like you said, I think you're taking the narrative to seriously. I think the whole point of the "serious" ending (i.e., the final mission, killing Jeane, etc.), was so they could make the REAL ending and say "Nah, we were just fucking with you the entire game. BTW, here's a bunch more red herrings and jokes to keep you confused. Enjoy the mindfuck douchebags!" Once again, the game is, before almost everything else, a commentary on media cliches. Aserious ending wouldn't work as well as a complete joke of an ending. Another random thought: Anyone notice that the wristband on Travis' left hand matches the flag on the painting, which is also the same one flying outside of the NMH motel? That's the flag of the city Travis lives in, Santa Destroy. It's not a big surprise that he's wearing the wristband, or that there are several shirts that reference the city.

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